Feel the city breaking, and everybody shaking — but we’re staying alive.
I’ve been saying that s4 is going to have to take the gay up a notch from s3 and at this point the only way to do that isn’t coming right out and explictly saying they’re in love with each other is to add more loaded physical touching
Like one of my headcanons is John walks into 221B and Sherlock’s bedroom door is open. Sherlock’s back is to the doorway and he doesn’t hear John come in and he’s taking off his shirt, and John stares lustfully for a moment before noticing all the scars on Sherlock’s back. He immediately goes in and demands to know where they came from, and Sherlock is flustered and says it’s nothing, and hasn’t put his new shirt on yet, and at some point, John forgets himself and brushes the tips of his fingers against one of the scars (there’s a close-up of this — maybe that close-up even makes it into the opening credits?), and they both just freeze and John springs away and they’re both like “Yeah, just — yeah, okay” and Sherlock is staring at him over his shoulder with that surprised baby in love face and John is clearing his throat and looking everywhere but at Sherlock and then leaves and goes into the sitting room, clenching and unclenching his fist, and Sherlock clears his throat too and puts on his new shirt and goes into the sitting room and they act like nothing happened
Like can you IMAGINE people still denying Johnlock is real after a scene like that? It’d be HILARIOUS.
how to do a movie adaptation of a book right:
how to do a movie adaptation of a book wrong: